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Home » Furniture » Simple and Sleek Stuttgart Chair 2.0 Minimizes Material Offcuts

Simple and Sleek Stuttgart Chair 2.0 Minimizes Material Offcuts

Made out of identical metal sheets
Atish SharmaBy Atish SharmaFebruary 27, 20232 Mins Read
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Stuttgart chair 2.0
Image: Selek
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Selek is an Oregon-based product design atelier started by Hale Selek and Erdem Selek. The studio focuses on designing everyday objects ranging from toothbrushes and screwdrivers to furnishings like chairs and tables. Recently, Selek took curtains off their latest design Stuttgart Chair 2.0, which is simple, sleek, and stylish with sustainability at the fore.

What makes the design extraordinary is the philosophy behind it. For Selek Design, a product should be as pure and simple as water that does not leave any scent or taste behind. Stuttgart Chair 2.0 caters to the doctrine of Hale and Erdem Selek and exhibits a high level of playfulness and creativity while minimizing material offcuts.

The makers of the furniture made the chair out of identical sheets of steel. Cutting pieces alike and welding them to formulate the chair helped minimize offcuts and use material efficiently. As per the company, “the product is based on a mathematical rhythm that composes its formal aesthetic language.”

Also Read: Verk’s Armchair and Table Take Swedish Turn on Sustainability

Contrary to its predecessor Stuttgart chair, the Stuttgart 2.0 gets rid of the matte black powder-coated finish and boasts a steely look. For further information on pricing and availability, head over to Selek.

Stuttgart chair 2.0
Image: Selek
Stuttgart chair 2.0
Image: Selek
Stuttgart chair 2.0
Image: Selek

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Atish Sharma
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Atish Sharma is a seasoned journalist, theatre director and PR specialist based in Shimla, India. He boasts over eight years of experience in print, electronic, and digital media, and has played pivotal roles as a field journalist at Hindustan Times. When not weaving a web of words at Homecrux or scouring new tiny houses, you'll discover him immersed in cinema, savouring cult classics, interviewing production designers or embarking on a quest for existential truths, far beyond his fantasy of being a cowboy who never rode a horse.

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