With the number of new turntable releases we have seen in the past few years, one can safely attest that the vinyl renaissance is in full swing. To make the most out of the moment, Audio-Technica has unveiled several turntables this year, the latest of which is the AT-LPA2, a fully manual, belt-driven model.
Released on May 15, AT-LPA2 is a nod to classics like the Pro-Ject’s XA B and Musical Fidelity’s M8xTT, both boasting a transparent plinth. Contrary to the two turntables, AT-LPA2’s selling point is its 30 mm-thick high-density acrylic chassis paired with a 20mm acrylic platter. This ‘all-transparent’ design not only creates a visually mesmerizing effect but also serves a functional purpose.
To put that in context, acrylic is renowned for its resonance-damping properties, minimizing unwanted vibrations for clearer playback. Compared to traditional turntables present in the market that mostly feature a minimalist MDF chassis with an aluminum platter, the AT-LPA2’s acrylic construction feels more premium and visually distinctive.
Another highlight of the AT-LPA2 is its external power supply and control unit. “To further reduce unwanted noise, we’ve moved the controls and power supply into a separate unit – a feature typically found only on more expensive turntables – thereby isolating the turntable’s sensitive audio components from electrical interference associated with powering and operating the turntable’s motor. This isolation ensures the quietest performance possible, so you hear only the music from your records, not electrical noise,” the company states.
Weighing approximately 8.4kg (18.5 lbs), excluding the control unit, the AT-LPA2 is a substantial piece of equipment, though it remains lighter than its fiercest competitor, Technics SL-1500C (9.9kg). While its competitor excels in build quality, the AT-LPA2’s see-through chassis is a bold design statement, mimicking the aesthetic of high-end models like the Clearaudio Innovation Wood, albeit at a more accessible price point of $2,000.
On the technical front, the AT-LPA2 features a belt-drive system that supports 33-1/3 and 45 RPM speeds, powered by a fully manual operation, which would appeal to purists. The turntable comes pre-fitted with Audio-Technica’s AT-OC9XEN moving coil (MC) cartridge, featuring a 0.3 x 0.7 mil elliptical nude stylus and high-purity PCOCC coils for exceptional detail and low distortion.
The newly designed carbon-fiber tonearm is another highlight of the turntable. The tonearm offers adjustable vertical tracking angle (VTA), azimuth, and a string-type anti-skate mechanism for precise tracking. Not to mention. two interchangeable counterweights (110g and 130g) that ensure compatibility with a range of cartridges, from the Ortofon 2M Black to Audio-Technica’s own AT-ART9XI.
On a little downside, the AT-LPA2 lacks a built-in preamp and Bluetooth, implying one has to rely on an external phono preamp to amplify the low-level signal from the cartridge and connect it to an amplifier or powered speakers. Nevertheless, its external control unit and MC cartridge position it as a purist’s choice, rivaling higher-end models in clarity and precision.
Overall, LPA2’s acrylic construction and MC cartridge justify the premium price compared to its counterpart, AT-LP2022, which uses a Shibata stylus and a less advanced tonearm. While budget-conscious buyers have the option to pick the Pro-Ject latest model or Fluance RT81+, all ranging between $300-$600, these record players can’t match the AT-LPA2’s refinement or prestige. Having said that, AT-LPA2 is indeed a worthy investment, delivering an experience that’s as visually captivating as it is sonically rewarding.
Also Read: Pro-Ject Automat A1.2 Turntable Merges Modern Convenience with High-Quality Audio Performance
The AT-LPA2 also comes with a comprehensive set of accessories, including RCA cables, a ground wire, a 45 RPM adapter, a removable dust cover, and setup tools. For those interested, AT-LPA2 is available on the official website of Audio Technica and through select distributors like Audio Exchange.
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